Taking Responsibility For The Audition Starts Now

By Maggie Flanigan

Acting involves the development of many skills, one of which is auditioning, a skill you can study and learn in many acting classes in NYC. Becoming a working actor is essential to gaining experience, and becoming a working actor can't happen if you don't audition well. If auditioning is not being taught in your acting classes in NYC, it's a skill that you will need to work on developing. Being prepared, with a deep set of auditioning skills is necessary if you expect to exploit every opportunity to audition that comes your way. Acting classes in NYC that teach the Meisner discipline are known for turning out highly professional actors that know how to work. There is a known connection between the Meisner acting technique and professional, inspiring auditioning techniques.

One or two ways actors tend to crash and burn during auditions are common. Overconfidence in an audition can be killer. However, being insecure or overly nervous will not count in your favor either unless it suits the character. Directors and producers are used to seeing overly confident or insecure actors and this is not what will count against you. Being nervous or confident projects a sense of "self awareness" which can kill a great acting performance.

Being "closed off" or self aware is a very bad acting habit, and one that threatens to get in the way of a great audition as well. In essence, "you" and whatever you are feeling needs to disappear, and make way for a fascinating, exciting character to emerge. The many layers of human traits, communicated in a thousand smalls ways is what must shine through, how you feel personally can't inhibit this.

The slate may not seem important. As many of you know, the slate is when you state your name into the camera so the auditors can keep track of everyone they've seen. What may seem to have little importance, in fact may be the very thing that keeps you from being seen. The bad news is this. Not all casting directors, producers or directors watch all the tapes past the slate. For any given part there are likely hundreds of folks auditioning. They are on the lookout for the best of the best and a so-so slate will indicate that your tape is not worth their while. A quick dismissal of an actor's tape because of a lackluster slate gets them to their goal more quickly.

This may seem brutal, it does speed up the process. Learning to slate well is one way to get an advantage over some of the actors you go up against. Some acting classes teach excellent auditioning skills knowing how important they are. Acting classes in NYC may be able to help you practice your slate. Acting classes in NYC in some institutions, may ask for a slate and audition tape for entry into their program. This skill can be practiced much like any other. Lights, camera action and give it a go. Practicing slates isn't easy. Communicating to a "presence" or person rather than the camera is important. Record and play back several versions of the slate and see how it plays. Find people you trust to watch the slate and give you feedback.

The information you include need not be lengthy, they really just want your name and possibly your agent. The shorter the better so they move on to the critical thing, the audition. While it might be okay to offer a hint of character for a commercial audition, it's still a risk. You will have to assume what they are looking for in a character and you may not be right. Mainly, the aim is to give a slate that represents you as a person and as an actor. Then, give them what they want and deserve, a brilliant, fresh take on the part you are aiming to get. Seek out Meisner acting NYC if you want to know more about how to create character with this technique.

About the Author:

The Maggie Flanigan Studio provides meisner acting classes in New York City. For more information about commercial acting classes visit the studio website where you can get specific answers to any question you have.

Here Is Why Too Many Emotions Can Ruin Your Audition Tape

By Maggie Flanigan

By focusing on developing a deep skill set, in acting classes in nyc or other qualified institutions are of the utmost importance. No matter how high quality the class, there is one thing acting classes in nyc are not responsible for and that is your auditioning technique. A big part of the audition process are audition tapes. Audition tapes need not be expensive, professionally shot videos. There are some simple rules to follow that can help you produce a great tape, with a borrowed or rented camera and a few friends.

Everyone knows what a bad lighting job can do to someone's appearance. A poor lighting job will cast shadows and can make you look completely different. Lighting can also go overboard, and cause a washed out appearance that seems "lifeless." If the lighting serves as a distraction to your performance you've wasted your time. A well lit subject is one in which the lighting just "disappears." A professional acting program, especially acting classes in nyc, should have someone on staff that has experience producing tapes. Ask for help creating a simple diagram that outlines a lighting scheme.

Two or three small lights will do the trick. Lights can be placed on either side of the talent to help illuminate the face. The background can lit using a third light. Audition tapes online sometimes leave the background in the dark. Just be sure the overall tape is not too dark, or the contrast too great between your face and the background. Correcting the color with a white balance feature is the important next step.

Light sources, such as lamps, professional lights and daylight all have different temperatures. They range from being very yellow to very blue. If you set up lights near a window the camera must correct for that. The white balance feature is used to make this correction quickly and automatically. Just place something white in the approximate place where you will be standing and hit White Balance. If you do not use this feature the color will be completely off, especially your skin tones. Forget to do this and skin tones and all other colors will be "off," which is very distracting.

Another very important thing to consider is sound. If you cannot be heard clearly, or if there is distracting static or white noise, you have wasted your time. No producer or casting agent has the time to sit through an audition tape with poor sound. Keep the mic as close to the talent as possible. Camera mounted mics might be convenient, are not the best choice, renting a Lavalier would be better. You aren't communicating with the audience if you can't be heard clearly. There are plenty of good acting classes in nyc that will help guide you through this process.

On to content, the all important piece of the puzzle, the character you are portraying, or a sense of who you are as an actor. An audition prepared for taping has some slight differences. A coach trained in the Meisner acting technique should be able to offer a lot of great tips on how to prepare. An audition tape that is engaging, riveting, and fascinating is easier for actors that have studied Meisner acting. What you leave "out" of a performance is just as important as what you leave in, according to expert coaches of Meisner acting nyc. Editing the performance, leaving some elements of the character underneath the surface is key. The key to great acting is what you don't present, but leave simmering underneath. Audiences like to work, think, and look for clues which is a way to engage them in your performance.

At times, actors are asked to include something very specific, but it should still have your own ideas incorporated. Casting agents and at times producers, will ask for more general monologue audition tapes. Whether you have the gift of comedy, or a talent for dramatic roles, a great audition includes both. Legendary actors can present mesmerizing layers of emotion in a short time. Tragedy and comedy always work together, for instance and its good to include a sense of both. Videotape your chosen material several times and enlist friends and teachers from your acting classes in nyc to review it and make constructive comments. As actors we tend to be insecure and it's best to accept direction from the outside about what makes our audition tape stand out.

About the Author:

The Maggie Flanigan Studio provides acting classes for serious actors. To learn more about commercial acting class visit the studio website.

Buying Western Artist, Howard Terpning Prints

By Rosa Koch

Those who love western themed art will undoubtedly have some Howard Terpning prints in their personal collection. This artist is considered by many to be one of the most beloved Western artists. The subjects he paints include Native Americans, cowboys and the rugged Western landscape.

The paintings show what the western landscape looked like before it was modernized and shows horses and cowboys riding across the open plains and Native chefs and other Native Americans.One thing that is instantly noticeable about his paintings is how he uses the natural sunlight to highlight his works, as he shows many subjects in the mid-afternoon sun that gives a warm glow and creates dramatic shadows. He uses an earthly color palate, as is expected with this type of art.

He was born in Illinois in Illinois who had a normal childhood and decided to be an artist when he was very young. He attended art school and then went on to do commercial art as his career after he graduated. He made movie posters and did magazine covers under the authority of a well known illustrator named Haddon Sundblom.

By the 1970s, he started doing fine art pieces with the subjects of cowboys and Native Americans and the landscape where they lived. He has been given many different awards and praises for his works. His paintings are worth a lot and have sold for well over a million dollars.

Although this price is not in the budget for most people, collectors can still afford to have a piece for their collection. Purchasing a print is a nice way to be able to enjoy the art without spending a fortune. A print is a replica of the original piece and might be put onto paper or canvas and could have been personally signed by the artist.

A lot of art galleries offer them on textured surface canvas and have the framed in professional frames that are ready to be brought home and hung. A print could be numbered by hand by the artist himself, which happens when if they have been a part of a small number of reproductions. The artist or the company or person who manages him, might authorize a small run of a particular image which will keep the market from getting saturated and increase the value.

Howard Terpning prints provide an affordable way for the average collector to enjoy his art. They are often printed on high quality canvas and might be hand signed or numbered by the artist himself. The pieces features a variety of images of Western America, cowboys and Native Americans.

About the Author:

Read more about Purchasing Award Winning Howard Terpning Prints by visiting our website.

Why Some Directors Only Watch The Slate - Common Audition Mistakes

By Maggie Flanigan

Serious actors understand that the ability to audition well is a skill that needs to be studied, practiced and developed. Gaining acting experience on stage, film or television is an important way to develop acting skills, but that won't happen if you don't audition well. Acting classes in NYC might be the place to build strong auditioning skills, but it doesn't hurt to work on this independently as well. Landing a role is luck and timing but, none of that matters if you're not prepared when the opportunity comes. Meisner acting classes in NYC that teach the Meisner technique are known for producing disciplined actors. There is a known connection between the Meisner acting technique and professional, inspiring auditioning techniques.

One or two ways actors tend to crash and burn during auditions are common. The first is to be overconfident. The second is if you are overly insecure or nervous. Directors and producers are used to seeing overly confident or insecure actors and this is not what will count against you. It's actually the block that these types of feelings cause, which inhibits the emergence of an authentic arresting character.

Being "closed off" or self aware is a very bad acting habit, and one that threatens to get in the way of a great audition as well. Too nervous, and it's too distracting to you and the auditors and you run the risk of not being open to the performance and the emerging character. The many layers of human traits, communicated in a thousand smalls ways is what must shine through, how you feel personally can't inhibit this.

The slate, as it is called, may not seem important at first. But, as you state your name into the camera for the auditors to keep track of your tape, you are already communicating a lot about who you are. It seems like a throwaway moment, just a way for the people conducting the audition to keep track. The bad news is this. Many times, directors and producers never even get past the slate. With hundreds, perhaps thousands to see for a role, it's an overwhelming process. If a slate is poor, or overdone they may not even get past it. They need any excuse to move through the auditions as quickly as possible.

This is challenging for the actor, but challenging is what spurs growth. Learning to slate well is one way to get an advantage over some of the actors you go up against. Some acting classes teach excellent auditioning skills knowing how important they are. Acting classes in NYC may be able to help you practice your slate. Some institutions that offer acting classes in NYC will even ask for a slated audition tape for entry into their program. It's something you can do on your own, and do quite well with a little help from a friend. Have a friend set up a camera, some lights and give it a go. If you do practice slates here is more to consider. Looking into the camera and truly communicating to a presence beyond the camera is an art form in and of itself. Record and play back several versions of the slate and see how it plays. You can get feedback from people you trust, and keep working at it until you feel like your slate is a natural extension of who you are as an actor.

The information you include need not be lengthy, they really just want your name and possibly your agent. First impressions should be short and sweet. It won't hurt in commercial auditions to put a hint of the character in your slate but avoid going over the top. If you fall short of their expectations they may hit the eject button before the actual tape. The aim of the slate is to give them a sense of who you are as an actor and a person. Slate and then, give them a brilliantly original, fresh fascinating character that will make their project soar. Classes that offer Meisner acting NYC are a great place to develop the skills that can be used to build excellent auditioning skills.

About the Author:

The Maggie Flanigan Studio provides meisner acting training in New York City. For more information about acting classes nyc visit the studio website where you can get specific answers to any question you have.

Getting Cast Includes Your Ability to Craft and Audition Well

By Maggie Flanigan

Auditioning is a critical skill you can develop, much like scene study or emotional prep, and it's an acting skill you can learn in acting classes in NYC. Working actors know that gaining experience is critical, and that won't happen if you tend not to audition well. If you are considering acting classes in NYC, look for an institution that helps its students build auditioning skills. Getting the right kind of auditions that play to your strengths is key, but even that won't help if you are not prepared when the opportunity comes. Acting classes in NYC that teach Meisner acting offer foundational skills that can be developed over time. Meisner acting techniques are suitable for improving your auditioning ability also.

There is no such thing as "failing" an audition unless you have fallen into one of these traps. One way to be discounted is to appear overconfident. At the same time you cannot allow yourself to be overly nervous or insecure, unless the role calls for it. Producers and directors, casting agents see overconfidence and extreme nervousness all the time and this is not what will work against you in the end. Nervousness, overconfidence or any other type of emotional reaction to an audition is an unwanted block to the emotional presentation of the character you are auditioning for.

An overconfident actor may come across as being too rehearsed, without enough room for spontaneity to emerge during the audition. If you are over thinking it, you jeopardize the chance for something unexpected or thrilling to happen in the moment. It is the character, with all his or her flaws, energy, sorrow, tension, humor, really a balance of all of these human traits, that must be present.

The slate, as it is called, may not seem important at first. But, as you state your name into the camera for the auditors to keep track of your tape, you are already communicating a lot about who you are. What may seem like a tiny practical thing, can have huge consequences if they don't like what they see. The bad news is this. Many times, directors and producers never even get past the slate. Seeing hundreds of actors audition for a role is a daunting task. Anything to speed things up, like a poor or boring slate, is a good excuse to just move on. So, a quick dismissal of someone who doesn't slate well gets them closer to their goal.

This is challenging for the actor, but challenging is what spurs growth. Learning to slate well is one way to get an advantage over some of the actors you go up against. Some acting classes teach excellent auditioning skills knowing how important they are. When researching acting classes in NYC, research those that teach about slates and other auditioning skills. Some institutions that offer acting classes in NYC will even ask for a slated audition tape for entry into their program. This skill can be practiced much like any other. Lights, camera action and give it a go. Here are some things to consider when practicing slates. Communicate to someone, not the camera, which is an art form unto itself. Record and play back several versions of the slate and see how it plays. Feedback from people you trust is also important, the slate should communicate who you are.

Keeping it simple is the best route, let you personality be upfront, and be quick. First impressions should be short and sweet. It won't hurt in commercial auditions to put a hint of the character in your slate but avoid going over the top. If you fall short of their expectations they may hit the eject button before the actual tape. The aim of the slate is to give them a sense of who you are as an actor and a person. Once the slate is done, move quickly into character and give them the portrayal they could never have anticipated, the character they didn't even know they wanted. Seek out Meisner acting NYC if you want to know more about how to create character with this technique.

About the Author:

The Maggie Flanigan Studio provides meisner acting instruction in New York City. For more information about commercial acting classes visit the studio website where you can get specific answers to any question you have.

Avoiding Heart Burn

By Amy Golden

This happens when the citrus enzyme fruit juice of the stomach is able to slip past the control device located towards the top of the stomach and enter the esophagus that is alkaline. Elevation of the bed is another very common method to ensure that stomach acid doesn't leak, as the law of gravity will naturally let it drip back down the esophagus. Whilst over-the-counter antacids will briefly relieve your own symptoms they won't solve the problem.

Heartburn is mainly the penance we pay for overindulgence Fats - Fatty foods like meats, butter, margarine, many sauces, bandages and fried foods will also contribute to your own acid reflux. With regards to eating a greasy, spicy meal, lighting up a smoke, drinking espresso or alcohol, many people can tolerate just a little heartburn simply to continue taking pleasure in what they like.

Heartburn is really a gastrointestinal condition that affects lots of people worldwide. Heartburn is a gastrointestinal disorder that impacts many people globally.When a individual becomes anxious the body exchanges blood from the vital organs to the muscle tissue. When this happens, you might feel the burning feeling or a sourly taste in the back of your throat (seems yummy right).

Commonly over-the-counter antacids are searched for to help an instant relief, and in general they are a fast and efficient solution. You are getting lots of your acidity intake coming from preservative acids from canned veggies, cookies, cereals, industrial yogurts, and frozen meals. The important thing to preventing the gastric acid from entering the esophagus is not in order to neutralize this, but rather to allow enhance the ability of your digestive tract to do its job faster and successfully.

Other foods and beverages that will aggravate it much more are carbonated drinks, caffeine, chocolate drinks, soda, alcohol, tomatoes, mustard, white vinegar and citrus fruits and drinks. This is just about the most detrimental news for chocolate enthusiasts who suffer from the frequent heartburn: chocolate is one of the most common, and strongest, activates for the episodes of heartburn. Chocolate and dark chocolate products like hot chocolate, brownies, as well as anything that contains chocolate should be limited in the diet.

The first the avenue for call should always be to help keep a meals diary, this way the sufferer will find it simpler as they attempt to pinpoint what part of their diet program is causing problems. The great thing to understand is that meals are not your own enemy. This can do a great deal to decrease your own suffering from acid reflux.

About the Author:

Looking to find the best deal on heart burn treatment, then visit acidrefluxremediesreviews.org to find the best advice on home remedies for acid reflux for you.

Adventure Books You Would Like To Read

By Juanita Lopez-Medina

Have you come across "Harry Potter and the Sorcerer's Stone". It is among the most widely read adventure books. The authors of the book are J. K Rowling and Mary GrandPre. It talks about an eleven year old Harry Potter who acts as the hero. There are several works on Harry Potter by this author and all of them are just what every literature lover enjoys.

Another interesting one is "Treasure Island". It is a pirate story written in English. The characters in it include Jim Hawkins, Captain Smollett, Dr Livesey, Squire Trelawney and Ben Gunn. It aims at teaching the young ones some facts about friendship, courage, honor and other virtues of life.

Mark Twain is known to be an author of good books and "the Adventures of Huckleberry Finn" is certainly not an exception. In fact, it is among the proud contenders of the Great American Novel. It talks about an experience in the Mississippi Valley.

If you have not read the Goldman's book titled "The Princess Bride". You are encouraged to go for a copy now especially if you are young and preparing to get married. The princess was disappointed that the handsome prince she got married to was not actually what she wanted in a man. It talks about true love. It is a perfect gift for every young man and woman.

"The Last Olympian" is written by Rick Riordan, another great author in literature. It talks about the battle between the half bloods and the titans. It features Krono's army, the evil titan's power and the monster Typhon.

"The Lion, the witch and the Wardrobe" is also among the interesting adventure books. In this one, C. S Lewis tries to utilize his skills in writing about magic and fantasy. Characters here include Peter, Susan, Edmund and Lucy. It is among the list of literary works that is loved by most Narnia fans.

About the Author:

If you want to find some excellent new young adult fiction, you should check out the dystopian sci-fi series, "Save the Pearls", written by Victoria Foyt, an accomplished author of adventure books. Also a screenplay writer, she has has had works appear in many areas, and has been featured in a wide range of magazine articles and newspaper stories and has made several television appearances.

Enjoy Fantasy And Adventure Paperbacks And Feed Your Imagination

By Reese Hillander

Many times, you will find yourself looking for something interesting to do. It is a good thing reading is becoming increasingly popular these days. Pick up some fantasy and adventure books to pass the time. A good story can take you to imaginary places that can only exist in imagination.

Books are interesting things. Unlike movies, you get to have a bit of control on how the characters look or sound like. You have the choice to slow it down, and savour the moment. You get to paint a picture in your head, and a book is never complete without the help of your own imagination. It becomes a part of you.

You will be thrown into so many amazing worlds, sometimes it seems like a book can take you farther than any plane or bus or ship. Start your own adventures. Abandon yourself to unnatural colors and faraway lands. Let yourself believe in magic and fairies and heroes even just for a few hours. Grab a few books from your local bookstore, or order them online.

Every bookstore will be filled with bestsellers, but of course, you could get less known books, if that is what you like. If you are not comfortable with reading just yet, ask your friends if they have any good books. If you have doubts about a book you would like to buy, there are reviews online to help you make up your mind. Secondhand bookstores are also great places to find a great book.

Reading is not just fun, it is also very helpful. With a few books, you will start noticing that your vocabulary has widened, and you have a better command of words. You will be able to express yourself more freely.

Beat the boredom with fantasy and adventure paperbacks. They will give you an escape from your everyday life. Books are your own little vacation away from the world. You can find endless choices of books online.

About the Author:

If you're looking for a fresh voice in young adult fantasy books, you need to read Victoria Foyt's new "Save the Pearls" series. In the first installment, "Revealing Eden", the protagonist is an outcast because of her light skin and must find a mate before her eighteenth birthday or else face exile and near-certain death in this dystopian future.

Auditioning - The Acting Skill You Can Learn in NYC Acting Classes

By Maggie Flanigan

Auditioning is an important skill, not just an extension of acting, it's a separate skill that can be developed in many acting classes in NYC. Gaining acting experience on stage, film or television is an important way to develop acting skills, but that won't happen if you don't audition well. If auditioning is not being taught in your acting classes in NYC, it's a skill that you will need to work on developing. Landing a role is luck and timing but, none of that matters if you're not prepared when the opportunity comes. Acting classes in NYC that teach the Meisner discipline are known for turning out highly professional actors that know how to work. Meisner acting techniques are strongly connected to powerful auditioning skills.

There is no such thing as "failing" an audition unless you have fallen into one of these traps. One way to be discounted is to appear overconfident. At the same time you cannot allow yourself to be overly nervous or insecure, unless the role calls for it. Directors and producers are used to seeing overly confident or insecure actors and this is not what will count against you. Nervousness, overconfidence or any other type of emotional reaction to an audition is an unwanted block to the emotional presentation of the character you are auditioning for.

Being "closed off" or self aware is a very bad acting habit, and one that threatens to get in the way of a great audition as well. In essence, "you" and whatever you are feeling needs to disappear, and make way for a fascinating, exciting character to emerge. It is the character, with all his or her flaws, energy, sorrow, tension, humor, really a balance of all of these human traits, that must be present.

The slate, as it is called, may not seem important at first. Remember this will be the first impression you make. It seems like a throwaway moment, just a way for the people conducting the audition to keep track. The harsh reality is this. Many times, directors and producers never even get past the slate. For any given part there are likely hundreds of folks auditioning. They are on the lookout for the best of the best and a so-so slate will indicate that your tape is not worth their while. A quick dismissal of an actor's tape because of a lackluster slate gets them to their goal more quickly.

While this may seem harsh, it is certainly expedient. Fair or not, this is the way it is more often than not. Teaching auditioning skills is not part of every acting academy's curriculum. Acting classes in NYC are a great resource for learning about slates. Acting classes in NYC in some institutions, may ask for a slate and audition tape for entry into their program. It's something you can do on your own, and do quite well with a little help from a friend. Set up a camera, a good mic and then give it a try. Some things to think about if you do practice slates. True communication is connecting with someone even if through a device, like a camera. This is something you can record, playback and assess. Feedback from people you trust is also important, the slate should communicate who you are.

As for the information they want, it's most often limited to your name and the agency that represents you. First impressions should be short and sweet. It won't hurt in commercial auditions to put a hint of the character in your slate but avoid going over the top. If you fall short of their expectations they may hit the eject button before the actual tape. Mainly, the aim is to give a slate that represents you as a person and as an actor. Slate and then, give them a brilliantly original, fresh fascinating character that will make their project soar. if you want to know more, look into Meisner acting NYC, for tips on how to create character, emotional preparation and scene study for auditioning.

About the Author:

The Maggie Flanigan Studio provides meisner acting classes in New York City. For more information about commercial acting classes visit the studio website where you can get specific answers to any question you have.

Psych Buffs Have So Many Choices For Psychological Novels

By Agnes Franco

If you are an avid reader and happen to be interested in the subject of psychology then you are in luck. Both your interests can be met in one way, and that is through psychological novels. This way your intellectual faculties will really be tickled. You are in a situation where two separate interests are rolled into one.

Selections for these particular kind dates from contemporary writers, early 19th century authors, to way back 12th century manuscripts. That is how long it has been around. This virtually gives you a whole library of books you can get your hands on.

Currently, the earliest literature of this category discovered belongs to medieval Japan. The book is called The Tale of Genji by Murasaki Shikibu. The storyline is about the heir to Japan's throne and his discovery about man's way of thinking and human spirit as he goes down the social group system.

The name of Don Quixote would certainly ring a bell. Many people are familiar with this fictional tale by Miguel de Cervantes. The plot of the story is about the unconventional Don and his companion Sancho Panza who is also his neighbor. The book focuses on chivalry and the psychology behind it.

Fight Club by Chuck Palahniuk was released in 1996 but was later made into a Hollywood movie. This is deeper psychological read that would make anyone's mind wonder. Another reason that made the movie adaptation successful is the star power it had. It featured Edward Norton and Brad Pitt as main characters.

psychological novels have created a category for itself and the selection just keeps growing. Folks inclined with this topic have so many to choose from. Just a trip to the local bookshop can jumpstart you with your search. As always, the internet is always sure to give you some titles and let you place orders for hard to find books.

About the Author:

Read more about Psych Buffs Have So Many Choices For Psychological Novels by visiting our website.

What You Did Not Learn in Acting Class About Audition Tapes

By Maggie Flanigan

Developing excellent acting skills, especially in professional level acting classes in nyc, can help build a great foundation. No matter how high quality the class, there is one thing acting classes in nyc are not responsible for and that is your auditioning technique. A big part of the audition process are audition tapes. An expensive, professional video is okay for an audition tape but, certainly not necessary. Just borrow or rent a camera, enlist the help of an aspiring director friend and follow these simple rules.

Everyone knows what a bad lighting job can do to someone's appearance. Shadows look like a ravaged complexion or dark circles under the eyes. Lighting can also go overboard, and cause a washed out appearance that seems "lifeless." If the lighting serves as a distraction to your performance you've wasted your time. Nice, bright yet completely unnoticeable lighting is the goal. If you are enrolled in acting classes in nyc or elsewhere, there is likely a teacher or professional who can assist you. Ask for help creating a simple diagram that outlines a lighting scheme.

Two or three small lights will do the trick. A light should be placed in front of the talent (you) one on either side, and far enough away to not cause shadows or hot spots. A light can also be brought in to illuminate the background. Audition tapes online sometimes leave the background in the dark. Just be careful that the contrast is not too great between the talent and background which is distracting. A white balance feature on cameras is used to correct the color.

This reads the color temperatures of the combined light sources. Incandescent lights are yellow, daylight is very blue. Let's say you set up the lighting, and you are also near a window. If you use both of these light sources the color will be off unless you "correct" it in the camera. The White balance button on the camera makes this possible. A pure white card or sheet of paper needs to be placed in the middle of the lighting sources. If you do not use this feature the color will be completely off, especially your skin tones. You want good clean skin tones, eye color and hair color, so you must not forget this step.

Sound is another very important feature. If you cannot be heard, you cannot perform. No one wants to sit through a tape that they can't hear. The cleanest sound comes from a mic planted close the source of sound, in this case, you. Renting a good quality microphone is a good idea, as the camera mounted variety are usually prone to pick up lots of static and stray noise. You aren't communicating with the audience if you can't be heard clearly. There are plenty of good acting classes in nyc that will help guide you through this process.

With these basics in place now is the time to think about content. Preparing for an audition tape is the same as preparing for a live audition. Meisner acting techniques can be helpful when preparing, especially for a specific character or role. An audition tape that is engaging, riveting, and fascinating is easier for actors that have studied Meisner acting. Keeping important elements under the surface, is something coaches of Meisner acting nyc can teach you how to develop. Of course, you can't cram every possible emotion that a character "has" into a few moments. Edit, put only a few ideas in at a time and let the rest emerge in the imagination of the audience. An audience (which in this case is the auditors) will automatically begin to infer and look for clues they can infer about your character which engages them in your performance.

At times, actors are asked to include something very specific, but it should still have your own ideas incorporated. More frequently actors are asked to turn in monologue audition tapes, just to give viewers an idea of their range and abilities. It makes sense to prepare something that involves your strengths. The best actors are those that are fluid and can show quickly how capable they are of acting in any genre. A great comedian always as an underlying sense of tragedy for instance, just like the deepest dramatic performances have moments of light-otherwise it becomes hard to identify with. Videotape your chosen material several times and enlist friends and teachers from your acting classes in nyc to review it and make constructive comments. The best audition tapes are those which have had input from lots of sources with the most constructive criticism incorporated.

About the Author:

The Maggie Flanigan Studio provides nyc acting classes for serious actors. To learn more about nyc commercial acting classes visit the studio website.

Meisner Acting - The Foundation for Serious Actors

By Maggie Flanigan

Acting involves the development of many skills, one of which is auditioning, a skill you can develop in some acting classes in NYC. Gaining acting experience on stage, film or television is an important way to develop acting skills, but that won't happen if you don't audition well. Developing auditioning skills may be up to you as some acting classes NYC don't cover this thoroughly. Being prepared, with a deep set of auditioning skills is necessary if you expect to exploit every opportunity to audition that comes your way. Meisner acting classes in NYC that teach the Meisner technique are known for producing disciplined actors. Meisner acting techniques are suitable for improving your auditioning ability also.

There are several ways you are guaranteed to fail when auditioning. The first is to be overconfident. At the same time you cannot allow yourself to be overly nervous or insecure, unless the role calls for it. Directors and producers are used to seeing overly confident or insecure actors and this is not what will count against you. The real problem is when you are nervous, and you attempt to hide it, an attempt which in turn makes you wonder if you are showing it, and before long you are completely shut down emotionally.

This is a very bad acting habit, being too closed off and too rehearsed and it's a poor auditioning technique as well. If you are over thinking it, you jeopardize the chance for something unexpected or thrilling to happen in the moment. The character can't emerge and deliver that great audition.

The slate, as it is called, may not seem important at first. But, as you state your name into the camera for the auditors to keep track of your tape, you are already communicating a lot about who you are. What may seem to have little importance, in fact may be the very thing that keeps you from being seen. The bad news is this. There is no guarantee ever that a producer or director will watch a tape past the slate. Actors must think about how many hundreds of other actors are also turning in tapes our auditions. When wading through these tapes, anything that helps them to more quickly find the best of the best is necessary. So, a quick dismissal of someone who doesn't slate well gets them closer to their goal.

This is challenging for the actor, but challenging is what spurs growth. Whether it seems fair or not, the fact remains you had better learn how to slate well. Some acting classes teach excellent auditioning skills knowing how important they are. A good resource for learning about slates are often acting classes in NYC. Acting classes in NYC in some institutions, may ask for a slate and audition tape for entry into their program. Like any other skill, practicing slates makes perfect. Enlist a friend to help record your efforts on tape and you will instantly see how well you are doing. Practicing slates isn't easy. Communicating to a "presence" or person rather than the camera is important. This is something you can record, playback and assess. Feedback from people you trust is also important, the slate should communicate who you are.

As for the information they want, it's most often limited to your name and the agency that represents you. First impressions should be short and sweet. When auditioning for commercials a hint of character might be okay. You will have to assume what they are looking for in a character and you may not be right. The goal of the slate is to present yourself as an actor and a person, not as the character. Then, give them what they want and deserve, a brilliant, fresh take on the part you are aiming to get. Creating character, building spontaneity into a performance and other essential auditioning skills can be learned by studying Meisner acting NYC.

About the Author:

The Maggie Flanigan Studio provides meisner acting training in New York City. For more information about commercial acting classes visit the studio website where you can get specific answers to any question you have.

Auditioning Is Actually More than Just Acting

By Maggie Flanigan

Auditioning is just another skill on the roster, but a skill that is just as critical as scene study, emotional preparation or any other acting skill you might pick up in acting classes in NYC or elsewhere. Gaining acting experience on stage, film or television is an important way to develop acting skills, but that won't happen if you don't audition well. If you are considering acting classes in NYC, look for an institution that helps its students build auditioning skills. Being prepared, with a deep set of auditioning skills is necessary if you expect to exploit every opportunity to audition that comes your way. Acting classes in NYC that teach Meisner acting offer foundational skills that can be developed over time. Meisner acting techniques are strongly connected to powerful auditioning skills.

There are one or two ways that are common reasons actors "fail" to turn in arresting auditions. The first way to fail is to enter the audition with overconfidence. At the same time, being deeply insecure won't help either. Either one of these can count heavily against you--and not because auditors don't like overly nervous or over confident actors. Nervousness, overconfidence or any other type of emotional reaction to an audition is an unwanted block to the emotional presentation of the character you are auditioning for.

An overconfident actor may come across as being too rehearsed, without enough room for spontaneity to emerge during the audition. Too nervous, and it's too distracting to you and the auditors and you run the risk of not being open to the performance and the emerging character. Many layers of human traits must be there, along with the one or two that are at the core of the characters being in the story.

The slate may not seem important. Remember this will be the first impression you make. It seems like a throwaway moment, just a way for the people conducting the audition to keep track. The bad news is this. Not all casting directors, producers or directors watch all the tapes past the slate. Actors must think about how many hundreds of other actors are also turning in tapes our auditions. They are on the lookout for the best of the best and a so-so slate will indicate that your tape is not worth their while. They need any excuse to move through the auditions as quickly as possible.

This is challenging for the actor, but challenging is what spurs growth. Learning to slate well is one way to get an advantage over some of the actors you go up against. Teaching auditioning skills is not part of every acting academy's curriculum. Acting classes in NYC may be able to help you practice your slate. In fact, some acting classes in NYC will ask you to slate to enter the class. Like any other skill, practicing slates makes perfect. Enlist a friend to help record your efforts on tape and you will instantly see how well you are doing. Some things to think about if you do practice slates. True communication is connecting with someone even if through a device, like a camera. By recording several versions and playing them back you can begin to get a feel for you how you are presenting yourself. Get honest feedback from people you trust, and make sure that the slate presents who you are.

The information you include need not be lengthy, they really just want your name and possibly your agent. First impressions should be short and sweet. It won't hurt in commercial auditions to put a hint of the character in your slate but avoid going over the top. You could be wrong in your assumption about what they are looking for, and lose them before they even view your real work. The goal of the slate is to present yourself as an actor and a person, not as the character. Once the slate is done, move quickly into character and give them the portrayal they could never have anticipated, the character they didn't even know they wanted. Classes that offer Meisner acting NYC are a great place to develop the skills that can be used to build excellent auditioning skills.

About the Author:

The Maggie Flanigan Studio provides meisner acting classes in New York City. For more information about commercial acting classes visit the studio website where you can get specific answers to any question you have.

Entering Your Audition With Overconfidence - Common Audition Blunders

By Maggie Flanigan

There are many acting classes in NYC where actors can study and practice audition techniques. Learning to audition well is an important aspect of the craft as it is key to getting cast, and getting that all important experience in front of the camera or onstage. Developing auditioning skills may be up to you as some acting classes NYC don't cover this thoroughly. Getting the right kind of auditions that play to your strengths is key, but even that won't help if you are not prepared when the opportunity comes. Acting classes in NYC that teach Meisner acting offer foundational skills that can be developed over time. Meisner acting techniques are strongly connected to powerful auditioning skills.

There is no such thing as "failing" an audition unless you have fallen into one of these traps. The first is to be overconfident. At the same time you cannot allow yourself to be overly nervous or insecure, unless the role calls for it. Producers and directors, casting agents see overconfidence and extreme nervousness all the time and this is not what will work against you in the end. Being nervous or confident projects a sense of "self awareness" which can kill a great acting performance.

An overconfident actor may come across as being too rehearsed, without enough room for spontaneity to emerge during the audition. If you are over thinking it, you jeopardize the chance for something unexpected or thrilling to happen in the moment. It is the character, with all his or her flaws, energy, sorrow, tension, humor, really a balance of all of these human traits, that must be present.

Many preparing for auditions consider the slate unimportant. Stating your name, your agent, at the beginning of the tape helps them track your audition but, it's also their first impression of you. What may seem like a tiny practical thing, can have huge consequences if they don't like what they see. The harsh reality is this. Not all casting directors, producers or directors watch all the tapes past the slate. With hundreds, perhaps thousands to see for a role, it's an overwhelming process. They are on the lookout for the best of the best and a so-so slate will indicate that your tape is not worth their while. So, a quick dismissal of someone who doesn't slate well gets them closer to their goal.

This may seem brutal, it does speed up the process. Learning to slate well is one way to get an advantage over some of the actors you go up against. Some acting classes teach excellent auditioning skills knowing how important they are. When researching acting classes in NYC, research those that teach about slates and other auditioning skills. Some institutions that offer acting classes in NYC will even ask for a slated audition tape for entry into their program. Slating is a skill like any other, it has to be practiced. Have a friend set up a camera, some lights and give it a go. If you do practice slates here is more to consider. Communicating to a "presence" or person rather than the camera is important. By recording several versions and playing them back you can begin to get a feel for you how you are presenting yourself. Get honest feedback from people you trust, and make sure that the slate presents who you are.

Keep the information to a minimum and keep it simple. The shorter the better so they move on to the critical thing, the audition. It won't hurt in commercial auditions to put a hint of the character in your slate but avoid going over the top. If you fall short of their expectations they may hit the eject button before the actual tape. The aim of the slate is to give them a sense of who you are as an actor and a person. Slate and then, give them a brilliantly original, fresh fascinating character that will make their project soar. Creating character, building spontaneity into a performance and other essential auditioning skills can be learned by studying Meisner acting NYC.

About the Author:

The Maggie Flanigan Studio provides meisner acting training in New York City. For more information about acting classes nyc visit the studio website where you can get specific answers to any question you have.

Audition Skills Define the Serious Actor

By Maggie Flanigan

Auditioning is a critical skill you can develop, much like scene study or emotional prep, and it's an acting skill you can learn in acting classes in NYC. Becoming a working actor is essential to gaining experience, and becoming a working actor can't happen if you don't audition well. Developing auditioning skills may be up to you as some acting classes NYC don't cover this thoroughly. Landing a role is luck and timing but, none of that matters if you're not prepared when the opportunity comes. Meisner acting classes in NYC that teach the Meisner technique are known for producing disciplined actors. Meisner acting techniques are suitable for improving your auditioning ability also.

There are one or two ways that are common reasons actors "fail" to turn in arresting auditions. The first is to be overconfident. At the same time you cannot allow yourself to be overly nervous or insecure, unless the role calls for it. Either one of these can count heavily against you--and not because auditors don't like overly nervous or over confident actors. Nervousness, overconfidence or any other type of emotional reaction to an audition is an unwanted block to the emotional presentation of the character you are auditioning for.

This is a very bad acting habit, being too closed off and too rehearsed and it's a poor auditioning technique as well. Too nervous, and it's too distracting to you and the auditors and you run the risk of not being open to the performance and the emerging character. It is the character, with all his or her flaws, energy, sorrow, tension, humor, really a balance of all of these human traits, that must be present.

The slate, as it is called, may not seem important at first. Remember this will be the first impression you make. This is not a throwaway moment, it's an opportunity. Here's a shocking fact. Not all casting directors, producers or directors watch all the tapes past the slate. With hundreds, perhaps thousands to see for a role, it's an overwhelming process. Anything to speed things up, like a poor or boring slate, is a good excuse to just move on. So, a quick dismissal of someone who doesn't slate well gets them closer to their goal.

This is challenging for the actor, but challenging is what spurs growth. Whether it seems fair or not, the fact remains you had better learn how to slate well. Teaching auditioning skills is not part of every acting academy's curriculum. Acting classes in NYC may be able to help you practice your slate. Acting classes in NYC in some institutions, may ask for a slate and audition tape for entry into their program. This skill can be practiced much like any other. Enlist a friend to help record your efforts on tape and you will instantly see how well you are doing. Practicing slates isn't easy. True communication is connecting with someone even if through a device, like a camera. By recording several versions and playing them back you can begin to get a feel for you how you are presenting yourself. You can get feedback from people you trust, and keep working at it until you feel like your slate is a natural extension of who you are as an actor.

As for the information they want, it's most often limited to your name and the agency that represents you. The shorter the better so they move on to the critical thing, the audition. It won't hurt in commercial auditions to put a hint of the character in your slate but avoid going over the top. It could fall short and send the auditors to hit eject before you get a chance to show your work. The real purpose of the slate is for them to keep track of your tape, so just let them know if a few short seconds who you are. Then give them something they want to see more of: a brilliant and original character. if you want to know more, look into Meisner acting NYC, for tips on how to create character, emotional preparation and scene study for auditioning.

About the Author:

The Maggie Flanigan Studio provides meisner acting training in New York City. For more information about commercial acting classes visit the studio website where you can get specific answers to any question you have.

Acting Classes in NYC - The Perfect Place to Practice Audition Techniques

By Maggie Flanigan

Acting involves the development of many skills, one of which is auditioning, a skill you can develop in some acting classes in NYC. Working actors know that gaining experience is critical, and that won't happen if you tend not to audition well. If you are considering acting classes in NYC, look for an institution that helps its students build auditioning skills. Landing the right role, is part luck, part good timing but, above all you must be prepared when the opportunity comes to audition. Acting classes in NYC that specialize in Meisner acting, offer one of the most respected acting disciplines in the business. Meisner acting techniques are strongly connected to powerful auditioning skills.

There is no such thing as "failing" an audition unless you have fallen into one of these traps. Overconfidence in an audition can be killer. The second is if you are overly insecure or nervous. Directors and producers are used to seeing overly confident or insecure actors and this is not what will count against you. It's actually the block that these types of feelings cause, which inhibits the emergence of an authentic arresting character.

An overconfident or overly nervous auditioned is usually closed off to far more important emotions, those of the character they are creating in the moment. In essence, "you" and whatever you are feeling needs to disappear, and make way for a fascinating, exciting character to emerge. It is the character, with all his or her flaws, energy, sorrow, tension, humor, really a balance of all of these human traits, that must be present.

So, what about the slate? Remember this will be the first impression you make. It seems like a throwaway moment, just a way for the people conducting the audition to keep track. Here's a shocking fact. Not all casting directors, producers or directors watch all the tapes past the slate. Actors must think about how many hundreds of other actors are also turning in tapes our auditions. When wading through these tapes, anything that helps them to more quickly find the best of the best is necessary. So, a quick dismissal of someone who doesn't slate well gets them closer to their goal.

While this may seem harsh, it is certainly expedient. Whether it seems fair or not, the fact remains you had better learn how to slate well. Some acting classes teach tips for auditioning some don't. Acting classes in NYC may be able to help you practice your slate. Acting classes in NYC in some institutions, may ask for a slate and audition tape for entry into their program. Slating is a skill like any other, it has to be practiced. Set up a camera, a good mic and then give it a try. Here are some things to consider when practicing slates. Looking into the camera and truly communicating to a presence beyond the camera is an art form in and of itself. Record and play back several versions of the slate and see how it plays. Feedback from people you trust is also important, the slate should communicate who you are.

The information you include need not be lengthy, they really just want your name and possibly your agent. This is their first impression of you as an actor but the real deal should be saved for the audition. When auditioning for commercials a hint of character might be okay. You will have to assume what they are looking for in a character and you may not be right. Mainly, the aim is to give a slate that represents you as a person and as an actor. Then, give them what they want and deserve, a brilliant, fresh take on the part you are aiming to get. if you want to know more, look into Meisner acting NYC, for tips on how to create character, emotional preparation and scene study for auditioning.

About the Author:

The Maggie Flanigan Studio provides meisner acting classes in New York City. For more information about audition techniques visit the studio website where you can get specific answers to any question you have.

Acting Auditions and External Conflicts in Your Character

By Kirk Baltz

There is no question that the majority of people wish to avoid a state of conflict and drama. It can inevitably lead to anxious feelings, fear, and chaos. However, when it comes to acting auditions, conflict is necessary to a successful reading. In order to have a good audition, it is necessary for an actor to find the conflict within a story and within a character.

Perhaps one of the most common conflicts, internal conflicts are those that consist of the psyche battling between opposing desires and feelings. Persons and characters can also experience conflict externally with fate, the environment, the world, and God. And, of course, relational conflicts exist as well. Typically, an actor is only given the dialogue, a brief outline of the character's personality, and a story overview when they are asked to read. Some form of conflict always exists in a story and personality. It is the actor's job to find the hidden conflict and give it life in their audition.

Instability is always exciting regardless of how uncomfortable or stressful it may be. Instability in a character or story adds depth and movement. After you have gotten a handle on the personality of the character, there are naturally going to be difficulties and obstacles that that character must face. Life is always this way. Our life's hurdles must be overcome and manipulated until they become collaborators in our lives. Think about the movie, "Midnight Run". In the film, Robert De Niro is a bounty hunter who has the responsibility of finding Charles Grodin's character. Jack, played by De Niro, needs to collect his bounty by bringing in Mardukas, played by Grodin. Jack experiences numerous conflicts in the form of other bounty hunters, his personal turmoil, and, of course, Mardukas.

All of the answers may not be provided to you in the material provided to you at the audition. Improve your acting audition by using the dialogue and the clues therein to create a character full of depth and truth. Doing so will hold the attention of the auditor and make you more likely to obtain the role. Far worse than creating the "wrong" conflict is delivering a performance without any emotion and depth. With these skills, your auditioning skills are sure to improve.

Make sure that the conflict you create is multi-dimensional. The average character will have several different desires and feelings that are in constant struggle with each other. Using this to your advantage during an audition will make for an exciting reading. Creating a character's personality is far more important than the lines that are being read.

Although your character may be the only live person in the scene, there are doubtless other hidden forces affecting his or her life. Being able to bring these hidden elements to life is what will separate you from the other actors and make your audition a success. Another thing to remember about conflict. Conflict should always be slightly comedic. Levity is a part of even the deepest conflict. Neglecting to add comedy will make the reading unwatchable. With both conflict and comedy combined, your reading is sure to be a success.

About the Author:

Kirk Baltz has been a acting coach in los angeles for more than 15 years. Kirk helps actors of all levels get the roles that they desire. You can read more about acting auditions at the actor's intensive website.

Acting Auditions - Working with the Bare Framework of the Story

By Kirk Baltz

Conflict is typically avoided by the majority of people. Anxiety, fear, and chaos can often be the result of conflict. However, during an acting audition, conflict is essential to delivering an impressive reading. In order to have a good audition, it is necessary for an actor to find the conflict within a story and within a character.

Perhaps one of the most common conflicts, internal conflicts are those that consist of the psyche battling between opposing desires and feelings. There are also external conflicts that a person takes on with the environment, fate, God, and the world. Relational conflicts are yet another form of personal conflict that are in present in almost every person and, therefore, character's life. Before an audition, the actor is only provided with basic information about the character and the story. Conflict always exists in a story, whether on the surface or hidden beneath a complicated exterior. The actor has the responsibility of finding the conflict and demonstrating it's effects in their audition reading.

There is no doubt that conflict is interesting. Instability in a character or story adds depth and movement. Once the desires and needs of a character have been discovered by the actor, obstacles are inevitable. That is life. Our life's hurdles must be overcome and manipulated until they become collaborators in our lives. "Midnight Run" is a perfect movie to consider. In the film, Robert De Niro is a bounty hunter who has the responsibility of finding Charles Grodin's character. Jack (De Niro) is required to track down Mardukas (Grodin) in order to collect his bounty. Jack is met with a number of conflicts including his personal insecurities, rival bounty hunters, and the infamous Mardukas.

All of the answers may not be provided to you in the material provided to you at the audition. Improve your acting audition by using the dialogue and the clues therein to create a character full of depth and truth. In this way, you will be more likely to grab onto and hold the auditor's attention and make the performance more real for the viewer. Far worse than creating the "wrong" conflict is delivering a performance without any emotion and depth. With these skills, your auditioning skills are sure to improve.

Real conflict is rarely one-dimensional. The typical person has numerous inner demons that are in constant turmoil. Keep this in mind when doing your reading and you will be sure to add intrigue to the character you are portraying. The lines being recited are not nearly as important as the character that is created by the actor.

Although your character may be the only live person in the scene, there are doubtless other hidden forces affecting his or her life. To have a successful reading, you as an actor must know how to draw these emotions and circumstances out of the text and take the character to the next level. There is another aspect of conflict to keep in mind. A small amount of comedy should also be present within any conflict. Comedy is present even when the conflict is dark and deep-rooted. Neglecting to add comedy will make the reading unwatchable. In short, conflict and comedy are both an integral part of a successful and impressive reading.

About the Author:

Kirk Baltz has been a acting coach for more than 15 years. Kirk helps actors of all levels get the roles that they desire. You can read more about acting auditions at the actor's intensive website.

Acting Auditions - The Difficulties and Obstacles of Life Can Improve Your Work

By Kirk Baltz

There is no question that the majority of people wish to avoid a state of conflict and drama. It can inevitably lead to anxious feelings, fear, and chaos. However, when it comes to acting auditions, conflict is necessary to a successful reading. In order to have a good audition, it is necessary for an actor to find the conflict within a story and within a character.

The majority of persons and characters have internal conflicts between desires and feelings. Persons and characters can also experience conflict externally with fate, the environment, the world, and God. Relational conflicts are yet another form of personal conflict that are in present in almost every person and, therefore, character's life. Typically, an actor is only given the dialogue, a brief outline of the character's personality, and a story overview when they are asked to read. Conflict always exists in a story, whether on the surface or hidden beneath a complicated exterior. It is your responsibility to locate the conflict and express it in your reading.

Instability is always exciting regardless of how uncomfortable or stressful it may be. Conflict provides an element of depth and movement to a story and character. After you have gotten a handle on the personality of the character, there are naturally going to be difficulties and obstacles that that character must face. That is the way life is. All lives have hurdles which must be shaped and worked with until they cease to be difficult obstacles and become helpful participants. For example, consider "Midnight Run". Robert De Niro plays a bounty hunter who is responsible for the capture of Charles Grodin's character. Jack, played by De Niro, needs to collect his bounty by bringing in Mardukas, played by Grodin. Jack is met with a number of conflicts including his personal insecurities, rival bounty hunters, and the infamous Mardukas.

The script may very well not have all the answers you need in order to create great conflict and emotion. Improve your acting audition by using the dialogue and the clues therein to create a character full of depth and truth. In this way, you will be more likely to grab onto and hold the auditor's attention and make the performance more real for the viewer. Far worse than creating the "wrong" conflict is delivering a performance without any emotion and depth. With these skills, your auditioning skills are sure to improve.

Keep in mind that conflict typically has more than one dimension. The average character will have several different desires and feelings that are in constant struggle with each other. If you are looking to make a good impression on the auditor, ensure that you portray this in your reading. The lines being recited are not nearly as important as the character that is created by the actor.

Despite the fact that you may be the only person in the scene, there is no doubt that invisible forces or persons are affecting both the personality and story of your character. Being able to bring these hidden elements to life is what will separate you from the other actors and make your audition a success. Another thing to remember about conflict. A small amount of comedy should also be present within any conflict. Comedy is present even when the conflict is dark and deep-rooted. It is essential or the audition will be far too dark for the auditors to watch. In short, conflict and comedy are both an integral part of a successful and impressive reading.

About the Author:

Kirk Baltz has been a acting coach los angeles for more than 15 years. Kirk helps actors of all levels get the roles that they desire. You can read more about acting instruction at the actor's intensive website.

Acting Auditions - Create A Character That Does Not Rely on the Lines In The Script

By Kirk Baltz

There is no question that the majority of people wish to avoid a state of conflict and drama. It can lead to fear, anxiety, as well as chaos. Conflict during an acting audition, however, is completely essential if you wish to impress your auditors and obtain the role. In order to have a good audition, it is necessary for an actor to find the conflict within a story and within a character.

The majority of persons and characters have internal conflicts between desires and feelings. There are also external conflicts that a person takes on with the environment, fate, God, and the world. Relational conflicts can also plague a person's life. When an actor reads for an audition, he or she is only given the bare framework such as a story overview and the lines. Some form of conflict always exists in a story and personality. The actor has the responsibility of finding the conflict and demonstrating it's effects in their audition reading.

There is no doubt that conflict is interesting. Instability in a character or story adds depth and movement. Once the desires and needs of a character have been discovered by the actor, obstacles are inevitable. Life is always this way. All obstacles in our lives must be manipulated or overcome until they cease being hurdles and become collaborators. "Midnight Run" is a perfect movie to consider. Charles Grodin plays a white collar criminal who is being sought by the bounty hunter played by Robert De Niro. Jack (De Niro) is required to track down Mardukas (Grodin) in order to collect his bounty. He experiences many conflicts in his quest including other bounty hunters, FBI agents, his insecurities, as well as Mardukas himself.

The script may very well not have all the answers you need in order to create great conflict and emotion. To strengthen your acting audition, you may need to create a character yourself, one that has conflicting desires and needs. In this way, you will be more likely to grab onto and hold the auditor's attention and make the performance more real for the viewer. Far worse than creating the "wrong" conflict is delivering a performance without any emotion and depth. If you are able to flesh out a character in this way, your auditions are sure to be more successful.

Keep in mind that conflict typically has more than one dimension. The typical person has numerous inner demons that are in constant turmoil. If you are looking to make a good impression on the auditor, ensure that you portray this in your reading. Despite what many actors believe, the most important thing is creating a character not merely the lines in the script.

Even though a scene may only contain your character, there is no doubt that other circumstances and persons have and continue to impact his or her life. Being able to bring these hidden elements to life is what will separate you from the other actors and make your audition a success. Another thing to remember about conflict. Conflict should always be slightly comedic. Comedy is present even when the conflict is dark and deep-rooted. Neglecting to add comedy will make the reading unwatchable. With both conflict and comedy combined, your reading is sure to be a success.

About the Author:

Kirk Baltz has been a acting coach in los angeles for more than 15 years. Kirk helps actors of all levels get the roles that they desire. You can read more about improve acting auditions at the actor's intensive website.

Understanding the Importance of Ted's Woodworking Review

By James Rayner

Ted's woodworking review simply about constructing beautiful woodworks. It is a complete software package offering over 16,000 woodworking plans and projects. You can build a simple bench that looks great on your porch or choose a well designed cabinet to add to your kitchen or maybe, you want to enhance your kid's bedroom and build a nice wooden bed for them. This brings you options that will definitely enhance your wood project.

You can make your own woodwork rather than buying a finished product that costs really expensive. If you have great talents in woodworking, this can be a project to help build wooden designs. And this is the main reason why Ted's woodworking review is available. It includes tips and guidelines on doing woodworks without spending more of your money.

How to get the product? If you are an Internet savvy, find Ted's woodworking website and download the software. It initially costs $67 and contains over 16,000 plans and projects. It comes with four special time-limited bonuses, which includes free DWG/CAD plan viewer; premium woodworking videos; creating your woodworking business; and, complete working guides. If you want software to conceptualize good projects, this is what you need. It is also helpful for establishing a woodworking business.

Why a helpful package? The art of woodworking may have been learned and mastered way back in school. In other instances, this may be obtained from magazines. Surely, you will find designs that help you build woodworking projects. But once the project is done, the design looks different than what is instructed. You feel sorry you have wasted more time and money.

This is why Ted's woodworking review is important. You are guaranteed the product is reliable and worth your money. There are over 16,000 plans and projects included in the package. And it has been carefully researched from good sources and drafted to what is now offered to you. Ted Mcgrath, the proud owner of the software, had spent two years of hard work to find the best designs suited for woodworkers to build. There are blueprints and step-by-step instructions to choose designs with no regrets.

What users say of the product? Ted's woodworking review has helped thousands of people around the world value its usage. It is a comprehensive package that helps people obtain a spectacular finished product. These can range from simple to more intricate styles. Many find the software worthwhile as it gives great enhancements for the home. Entrepreneurs are happy they have more options of woodworks to sell. And the whole package promises high quality work.

Benefits. The software is best suited for woodworkers. Ted's woodworking review provides you more interesting designs to choose and save money. When you buy the software, no other charges are added. This does not even require renewal. It is truly yours for life. However, if you are not happy with it, send Ted Mcgrath an email to request return of your money. This should be within the 60 days period after purchasing the product.

About the Author:

James Rayner is a writer who specializes in woodworking project software reviews. Check out his latest website where he provides an unbiased review about the best software woodworking plans by Ted.

Being Closed Off Increases Your Self Awareness - Audition Techniques

By Maggie Flanigan

Auditioning is more than just an different type of acting, it's a unique set of skills that are taught in many acting classes in NYC. Working actors know that gaining experience is critical, and that won't happen if you tend not to audition well. Developing auditioning skills may be up to you as some acting classes NYC don't cover this thoroughly. Landing the right role, is part luck, part good timing but, above all you must be prepared when the opportunity comes to audition. Acting classes in NYC that teach Meisner acting offer foundational skills that can be developed over time. And, Meisner acting techniques can be used to improve your auditions as well.

There are one or two ways that are common reasons actors "fail" to turn in arresting auditions. One way to be discounted is to appear overconfident. However, being insecure or overly nervous will not count in your favor either unless it suits the character. Producers and directors, casting agents see overconfidence and extreme nervousness all the time and this is not what will work against you in the end. Nervousness, overconfidence or any other type of emotional reaction to an audition is an unwanted block to the emotional presentation of the character you are auditioning for.

An overconfident or overly nervous auditioned is usually closed off to far more important emotions, those of the character they are creating in the moment. Too nervous, and it's too distracting to you and the auditors and you run the risk of not being open to the performance and the emerging character. It is the character, with all his or her flaws, energy, sorrow, tension, humor, really a balance of all of these human traits, that must be present.

Many preparing for auditions consider the slate unimportant. As many of you know, the slate is when you state your name into the camera so the auditors can keep track of everyone they've seen. What may seem like a tiny practical thing, can have huge consequences if they don't like what they see. This is the bad news. There is no guarantee ever that a producer or director will watch a tape past the slate. With hundreds, perhaps thousands to see for a role, it's an overwhelming process. When wading through these tapes, anything that helps them to more quickly find the best of the best is necessary. A quick dismissal of an actor's tape because of a lackluster slate gets them to their goal more quickly.

This may seem brutal, it does speed up the process. Learning to slate well is one way to get an advantage over some of the actors you go up against. While some acting classes deal with auditioning, many don't. Acting classes in NYC are a great resource for learning about slates. Acting classes in NYC in some institutions, may ask for a slate and audition tape for entry into their program. Like any other skill, practicing slates makes perfect. Lights, camera action and give it a go. Practicing slates isn't easy. Communicate to someone, not the camera, which is an art form unto itself. Record and play back several versions of the slate and see how it plays. Find people you trust to watch the slate and give you feedback.

Keeping it simple is the best route, let you personality be upfront, and be quick. This is their first impression of you as an actor but the real deal should be saved for the audition. For a commercial audition maybe a hint of character is okay but avoid going overboard, it's risky. It could fall short and send the auditors to hit eject before you get a chance to show your work. Mainly, the aim is to give a slate that represents you as a person and as an actor. Slate and then, give them a brilliantly original, fresh fascinating character that will make their project soar. if you want to know more, look into Meisner acting NYC, for tips on how to create character, emotional preparation and scene study for auditioning.

About the Author:

The Maggie Flanigan Studio provides meisner acting training in New York City. For more information about audition techniques visit the studio website where you can get specific answers to any question you have.